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The article doesn't touch much on why modern decor emerged as it did. It's a market response where everyone needs to (or feels the need to) pick up and move at a moment's notice. Companies are either expanding or like to think they'll be expanding soon. People move jobs so often that they have a hard time feeling settled where they are, so they design for that possibility. The modern aesthetic is one of planned impermanence.
Edit yes I did move around in my twenties, but that stopped at 30.
I helped lead my local little league. It’s different than it used to be - it’s pretty typical to have tball parents in their 40s. A group of parents from 20s to 50s aren’t going to hang out, they don’t relate. I’m a late genx, most of my friends parents were in their 30s when I was a little leaguer.
The demise of old line churches is similar. We did CYO basketball in the same parish my wife did. It’s the last of what was 8-10 catholic parishes in my city. And unlike in my youth where you had good mix multigenerational parishioners… the parish survives based on the beneficence of 5-10 people in their late 60s and 70s, with few people rising to behind them. Mainline Protestant parishes are similar. The only growth in religious communities are independent Baptists, which are great but integrate into the broader community differently, because each church mostly stands alone and isn’t part of a bigger system.
These churches chose thier path, and so did their parishioners.
I think of Seattle as "home", and once lived there for twenty-three years straight - but I had nine different addresses during that time. I am probably more of a nomad at heart than the average American, but perhaps Americans have more of a nomadic temperament than the average human.
Getting to know your neighbors can be a mixed bag. Sometimes you make a great new friend: sometimes you have to deal with an obstreperous busybody. It can be nice not having to spend your whole life dealing with the same people and the same conflicts.
If the thesis was true, we'd expect rich people who will never be compelled to move against their will, or to move into less space, would prefer cluttered homey interiors, and poor people would prefer sparse & modern. In reality, the biggest boosters of modern decor are rich people.
Today, those features are no longer necessary, and we look for other measures of quality in products -- for better or worse.
I grew up in a "midcentury modern" house, and my family lives in one today. I find the modern decor to be comforting because in my case it reminds me of home. My mom claimed that the sparse decor was easier to maintain, for instance: "There are no knick-knacks to dust around." Truth be told, the house also happened to be available during a very frothy market, and my spouse would have chosen something more traditional.
It's also claimed that the simpler decor works in smaller houses.
We were not rich. The MCM houses in my 'hood, including ours, are certainly not clutter free, yet still feel pleasant and comfortable.
Ordinary folks when presented with an object have to perform a mental calculation over the cost/inconvenience of storage vs. disposal and if wanted again, replacement.
Cluttered old homes with lots of things all over the place make it a bit less jarring when there's a stack of work left out on a table.
Reminds me of the reason that grass yards exist: to show the world that one can afford land for the sake of owning it, rather than for growing crops.
The portion of rich people homes they actually use are often quite cluttered. The simile limitation of needing to walk to a room to use it means spreading out across a huge home gets annoying. Semi public spaces for guests on the other hand can look like hotels because that’s effectively what they are.
This being said, the title is accurate to the article but misleading. The subtitle is about "Striped Floors and Flickering LEDs". It isn't modern design, it's specific elements of modern design.
I'd suggest that the striped/patterned floors/LED points transcend styles, and would cause issues even in a more ornate/classical design. Style is individual, and I expect the diversities of brains and thinking patterns means that there is no right answer for what style is best for people.
The most interesting part of the article wasn't really reflective of style, it was visually crowded environments. They used the example of supermarkets, and that seems distinct from a visually rich style like the grandparent comment's home or Neo Gothic cathedrals. Being in a forest is visually crowded, too, but I'd expect it has the opposite effect the study measured. I think the fractal dimension of the detail, if they correlated it with the degree of distress, would be a factor.
And then on my side, for the past 15 years I moved to a new place about every 2-3 years. Never really invested in making it feel “homey” because I’m not sure how much space I’d have in the next place I move to.
I grew up in a house full of the clutter that you describe as comforting, but for me it felt smothering. I recently inherited the house I grew up in and now have it set up much less cluttered. I don’t plan to live anywhere else anytime soon, but for me the lack of clutter and clear spaces are much more comforting.
I am definitely not a fan of crazy colors or patterns or bad lighting either though.
I found the office in the picture quite pleasant to look at. Not comforting and homey but suitable as a work environment.
You see the same thing with cars. People choose to buy (or more commonly lease!) a car for a few years and before they've even decided to buy it they're planning to sell it. This is why there are so many sad grey cars on the road - pick a colour that's easy to sell! Don't get anything too wild, it might not sell! What if you can't sell it because it's red or blue?!!? Don't go too crazy with that very pale blue tinted grey, they might not be able to sell it for as much and you won't get much from the leasing company!
There's a guy in my town who has a Porsche 992, it's only a few years old. He bought it as his retirement present to himself when he packed in his job at the start of COVID. It has all the options, and it has custom paint.
It is what I can only describe as Budget-Conscious Prosthetic Limb beige.
That kind of pinky-beige colour for NHS hearing aid plastic.
It cost him 1500 quid to even get it mixed, thousands extra to have it sprayed that colour.
"But what if it doesn't sell?" people say to him, "What if people don't like the colour?"
He doesn't care, he's going to drive it for the rest of his life. It'll be someone else's problem to sell once he dies.
Yes, but it's deeper than that. Two broad reasons, though your point here is a good one.
1. We don't, particularly in the west, have the skills, shops/craftsmen, or access to resources to make things like we used to. It's a positive network effect where prices go up, folks don't do the work anymore, and so prices go up, and things get more unaffordable, and so forth until there's only a handful of folks anywhere that can build the furniture, decor, or houses that you allude to. Companies can't make this stuff and as they chase never ending globalized supply chains and increasingly fewer commodities or natural resources they market and sell plainer and plainer things - modernist styles and modernist architecture. With so many people in the world competing for the same products and resources, it's incredibly expensive to build anything "real" or with much detail or thought. So companies just cheap out and create surrogate products which nobody is ever happy with.
2. The changes we see in style can be attributed to changes in politics and civilization. Who we are and what we think of ourselves. It's bad or even politically dangerous to build ornate buildings or purchase expensive or ornate pieces for your home. How could you build a beautiful building when there are people starving?!?! (you see a version of this with rocket companies - how can Jeff Bezos spend his money launching rockets when Social Security is underfunded!!?!?)
Any sufficiently famous building or person who liked nice shit was a "colonizer" and "bad person" in some form or because of some argument and then of course over time folks just hide their wealth (stealth wealth, millionaire next door) and we pride ourselves on appearing poor, acting poor, and naturally, we create poor civilizations without much to aspire to. When was the last time you wore a suit and tie? Better yet, who in your town can even make a suit? Who is going to die for strip malls and parking lots? Who wants to invest in their neighborhood when you know instinctively it's just a house and it's not something you will really pass down to your children (they will just sell that suburban home you have). Americans in particular spend thousands annually to travel to countries in Europe for example, and to visit their gardens and nice buildings, which themselves are vestiges of an age when western civilization aspired to more, and why do they only do that instead of investing in their own gardens and making their own nice places for people to visit? We do this of course to some extent - it's big country after all, but those who understand this and why it's important are fewer and further between.
That said, you overestimate how much "colonizer" discourse informs the average suburban home or modern office environment. That discourse isn't even particularly dominant amongst the left (often clowned as "third-worldist", reductionist or class denialism).
The average leftists apartment or home has more in common with your great-grandfather's house than stark, modern minimalism.
When everything in your house is illuminated from point lights stuck in holes in the ceiling, you only get a visual hierarchy along an axis you mostly cannot use (Y/up/down). When the lights are positioned at vertical midpoints, you get visual hierarchy on the X-Z (horizontal) plane which is generally how we are viewing our environment. The layering of shadow and highlights across a room are a lot less stressful to interpret. You can use a lot less total light and still convey required detail in the scene.
> This paper is a review, meaning it synthesizes and interprets existing research rather than presenting new experimental data. The authors themselves note that current visual tests for susceptibility to discomfort are subjective and poorly standardized. They also acknowledge that the proposed mechanism (that discomfort is the brain’s response to overwork) has not been fully tested, particularly the hypothesis that colored tints reduce discomfort by steering visual stimulation away from overactive brain areas. The relationship between the brain’s excitatory and inhibitory chemical signals and visual discomfort also remains, in their words, “unsettled.” Several key research questions are flagged as unresolved, including how to best quantify the real-world impact of visual stress on people’s lives and how to objectively measure susceptibility.
Flickering lights are about the only thing I saw in here that seem like they'd be a problem in the long term. Everything else your brain just adjusts to over time and stops noticing. Maybe the first few days in an office with bright colors would be slightly distracting, but after that you just stop seeing them. I would guess that a lot of the studies they reviewed probably tested people's reactions to these things when they saw them one time, not the hundredth time.
From the article:
"And when the brain encounters something it can’t process efficiently, it doesn’t simply adapt. Brain imaging studies cited in the review show it generates stronger neural responses in visual areas, consumes more oxygen, and in some people produces pain, distortion, or worse."
> And when the brain encounters something it can’t process efficiently, it doesn’t simply adapt. Brain imaging studies cited in the review show it generates stronger neural responses in visual areas, consumes more oxygen, and in some people produces pain, distortion, or worse.
If the studies are of a person's initial exposure to these sorts of conditions, then that doesn't tell us anything about whether people adapt over time (and to be clear I have not read all the studies, but given the limitations listed I'm comfortable assuming they're not incredibly robust until someone tells me otherwise). I suspect the article's use of the word "adapt" is not the same as mine; from the context when they say the brain doesn't adapt they just mean that it shows a response at the time of the particular exposure they're measuring.
Imagine someone claiming the opposite causes dementia, evidenced by reduced oxygen usage and lowered brain activity…
There are no pretty pictures in it, just text discussing basic principles.
https://www.amazon.com.au/dp/0593139313
The Interior Design Handbook by Frida Ramstedt
For our new house, I used this book along with an experienced interior designer and discussions with a number of interior designers.
Far from being expensive, the designer probably saved us around 10 times her charges, by gently pointing out more practical and durable alternatives to my half baked ideas. And we ended up with a nice cozy, accessible, human friendly house.
For our garden, we used a garden designer ( not a landscape designer, they just stick hard surfaces everywhere ) who specialises in Piet Oudolf's New Perennial style.
Wut? It's precisely the opposite. Natural patterns have infinite complexity as you zoom in, and human-made patterns (most often) not.
"Visual complexity" is just wrong: simple black / hot pink stripes are visually exhausting upon immediate perception, whereas the monochromatically brown detail of a tree trunk is only visually exhausting on close inspection.
God, what a useless website. I hate LLMs. The actual paper is here: https://www.mdpi.com/2411-5150/10/2/34
For instance actual lighting designers look with contempt at the kind of lighting mentioned in the article as a 1970's trend, that was in turn influenced by the 1930's Bauhaus.
Modern lighting uses layered lighting to create a cozy ambience and human friendly small pools of warm illumination.
See : https://talalighting.com/blogs/journal/how-to-layer-light-in...
Or, if you have ever been to a wedding and wondered why everybody started talking louder and louder and it's hard to understand, a room with too large reverb time is a very probable causes. This is very draining mentally.
The same goes for living spaces, especially since newer homes tend to use lots of smooth surfaces like glass, tiles and concrete, which increase reverb time a lot.
Book shelves, curtains and furniture will increase a room's diffusiveness and reduce reverb time, making rooms feel so much better.
Any dimension longer than 28' is going to pass the infrasonic threshold (20hz). This tends to be OK as you go further into it. Humans are sensitive to infrasound, but often not at this level of intensity. However, designing rooms with all dimensions larger than this exceeds the limits of most practical residential real estate.
An 8' dimension would give you a 70hz fundamental. This is quite audible, but also in a range of frequencies where treatments like bass traps are very effective.
The room dimension range between 10' and 28' is where the dragons live. These frequencies are audible and significantly more difficult to treat. They will cut right through treatments like rockwool and mass loaded vinyl as if they didn't exist.
One of the best mitigations is to simply not have rectangular rooms. The second best is to have really small ones. Older homes tend to feel cozier because the room fundamentals are not in that weird range.
Though with bars and restaurants being brutally hard to survive and turn a decent profit, I would mostly attribute it to just cutting costs
Also for a fun large-scale argument: we're relatively sheltered from global depressions. All we really have to do is convince Americans to keep spending money and it kinda works out, because the whole economy is structured around that anyways.
That's also why the economy is in the dumper right now (not counting tech companies), and why the consumer confidence index is so important to our various economists.
But your broader point is well taken.
On the one hand, "Eyes and brain alike evolved over millennia to process natural scenes, forests, rivers, coastlines, open skies. These environments share a specific mathematical pattern: their visual complexity decreases predictably as you zoom in on finer and finer details" - What, isn't it just the opposite? Coastlines and many plants are famously fractal, and in general, if you zoom into nature you will see a lot of detail, while in artificial objects you will often see a uniform sufrace.
On the other hand, "Repetitive grids, stark contrasts, and uniform surfaces have replaced the organic variation of earlier styles" - Okay, I get that grids are bad, but if the problem is too much detail and visual stimulation, why are uniform sources a problem? Is high complexity good or bad?
The only clear ideas that I take from this is that grids = bad, and flickering LED lightning = bad (and I don't really know how to choose LEDs that don't flicker...).
Look for Waveform or Phillips Ultra.
More recently, it’s less about the buyers and more about the sellers. Design is optimized for flipping, which means fast market movement, which means generic. Yes there is always cookie-cutter, especially in postwar housing boom. Modern markets have just embraced that more fully. Offices don’t embody the tenants identity, or if they do it’s the same as all the other companies “in the space.” Everyone wants to look like Google, at best, otherwise it’s about commodity layouts, finishes, and styles… platforms for cubicles and bulk furniture purchases that can be amortized over the lease. Housing is similar… design for a family that will scatter once the kids leave home and the parents retire elsewhere. Or the inverse… design for Airbnb until the owners are ready to retire and move in or sell off. In any case the inhabitants are a secondary consideration to returns on investment. Design is a cost center to a financial concern.
Unless you’re rich enough not to care about any of this, in which case there’s finally time and space and money for design, but none of it really matters
The headline picture in that article is pure hell for me.
Waveform or Phillips Ultra.
This is what I've always felt too, but if you talk to any lighting "expert", they'll say "no that's simply not the case with LED lighting since the year... 2009 or whatever ...". Highly suspect.
Way before the Internet I had games running at 50 Hz (PAL). And we fully knew the difference between, say, a 2D game scrolling at full-frame rate and a game running a 25 fps: we could tell immediately. Same for intros and demos.
Yet the number of times I had armchair experts explain me, despite me literally seeing with my own eyes the difference, that "the human eye cannot discern more than 24 fps". Teachers. Friends of my parents. My parents.
Later on I could tell a CRT running Windows @ 60 Hz vs 75 Hz in a split second: I simply could tell.
And still: same armchair experts "you cannot detect that, your eyes cannot physically detect more than 24 fps, because science!".
It's the absolute worst thing: you see something with your own eyes, other people see it with their own eyes. And yet "experts" explain to you "that is impossible".
While you could fucking literally demo it to them: but they're not interested "becuz it's impossssssible".
I hate LED lighting. Or at least I hate having only LED lighting. But there's IMO a simple trick to make the lighting much warmer and reduce the flicker (even if you don't consciously detect it, like 60 fps vs 75 fps: it's simply there) and still keep electricity consumption in check: just have one incandescent light bulb per room. Maybe two in the living room.
This immediately gives the feeling of a much warmer place (and, technically speaking, it is actually... warmer, ah!).
You can still legally, even in the EU, buy "special purpose", incandescent lamps that give a very nice warm yellowish light.
Just don't forget to wait if you plan to touch one after turning it off because they really get very warm.
Now of course you do that and you'll have sore people say: "even one incandescent lamp is too much, you should be 100% LED, not 95% LED, to save the planet!" followed by "we should ask the EU (and others) to ban once and for all ALL incandescent lightbulbs".
Basically: go order on Amazon or whatever a few small "special purpose" incandescent light and some little lamp to put them in. Put one in each room.
You'll thank me later.
(from TFA:) > During a rapid eye movement, the flickering light source can paint a streak of ghost images across the retina
So REM could explain it? Maybe it is somehow variable among people?
https://www.redbullmusicacademy.com/lectures/don-buchla-pass...
I suppose it's worth double checking if the 60 Hz was just leaking into the measurement rig. Or autism, for that matter. But Don was great and I've always loved this interview, so I'm sharing.
> Modern decor is an interior design style that emerged in the early-to-mid 20th century, rooted in the Bauhaus movement. It is defined by "form following function," clean lines, open-concept floor plans, uncluttered spaces, and a warm, neutral color palette.
> Key traits of modern decor include:
> Clean Lines: A heavy emphasis on sleek, horizontal, and vertical lines without fussy ornamentation, curves, or intricate trim.
> Natural Materials: Frequent use of exposed wood, leather, steel, glass, and concrete to highlight natural beauty.
> Minimalist Furniture: Low-profile, simple furniture shapes. The philosophy revolves around "less is more," relying on intentional, high-impact pieces rather than crowding a space.
> Neutral Colors: Earthy tones, whites, beiges, grays, and monochromatic schemes dominate to create a calm, balanced environment.
> Abundant Light: Maximizing natural light through large windows and open spaces rather than relying heavily on dense window treatments.
In future it will clearly mark the era of (re)construction.
Those things are also just ugly.
He showed people photos of geometric patterns (plain lines, basic shapes), natural patterns (fractals), and photos of nature itself (trees, animals, etc.) while reading their mental activity. The conclusion was that both fractals and nature photos cause significantly more efficient, diverse, and healthy-looking brain activity. Our brains inherently expect the world to look fractal-like, and in some ways even need it to look that way to form creative thoughts.
Completely lost the link to that article; it was a good read.
Either way, light is everything, but it is treated like an afterthought.
I don't think this is at all a coincidence when it comes to office planning and design. It is purposefully exclusionary
Modern offices are just social/business experiments about what a human will put up with to earn a wage and to optimise for the most desired employees. Most offices I've worked at have a majority of these issues:
- Horrible decor mentioned in the article
- Insufficient peak-time toilet capacity
- Zero accounting for the sun's rays (screen glare, solar gain)
- Poor acoustics
- Horrible overhead lighting
- Broken AC in heat waves, lack of natural air cooling in winter (yay, dried sinuses and gloves in winter!)
- Meeting rooms with insufficient fresh air
- Zero design to reduce spreading of viral diseases
- Constant visual distractions
No, neurodivergent and autistic people are just generally affected or annoyed by pretty much anything.
There is no conspiracy here.
In the same vein, contemporary art, like a Veronica, smashes form apart, and instead of concrete imitation of nature, it moves toward abstraction, geometry, and minimalism. But does not that come with a problem? It does not enter the brain directly the way natural forms do; you have to additionally recognize what it actually is. I do not think that is an incorrect observation.
I dont know if the hypothesis in the paper is correct, but it seems clear that environment can affect mood in some cases. There is a reason why night clubs and libraries are decorated differently. From there it seems very plausible other elements of environments could have an affect (perhaps subtle) on mood.
Which is why you can take my adblocker from me when you pry it from my cold dead hands. Much of the modern web is largely straight-up hostile without a proper adblocker these days.
That's my go-to solution on mobile devices almost every single time because on small screens even a good adblocker simply isn't nearly enough to overcome the other issues you mention in your comment here.
The paper itself is open access: https://www.mdpi.com/2411-5150/10/2/34
When I have to go I try to be out there as quickly as possible. I always thought that's weird, shouldn't those shops be designed in a way that makes me want to explore them, look at all the things they have, instead of just hunting down exactly what I need and leave as quickly as possible.
I have the same reaction to it as you.
Sometimes I really want/need something, and I have all the stores close by. But I still decide to buy it online, and accept waiting a few days, because stores/malls are such a bad experience.
Because immediately upon walking in the door, you are immersed in a "shopping environment". Everything you smell, hear, see, touch is geared to making you spend more and purchase more and grab more useless stuff off the shelves.
Even in a Goodwill or similar thrift store you are subjected to these merchandising tricks.
I have found that keeping a very good household inventory on a spreadsheet is critical. If I have this spreadsheet on my phone and I refer to it, before venturing into aisles, then I know exactly what I need to purchase, and where to go to find it. Sticking to the shopping list, I can avoid the needless purchase temptations.
At Costco when I'd go with my parents, it was the custom of the cashiers to ask, "did you find everything alright?" and my father would always joke, that if enough people answered in the affirmative, that was their cue to rearrange the store and shuffle everything around, so that shoppers would get lost, and not being able to find what they want, would discover more useless stuff that they would pull off the shelves on impulse.
It also doesn't hurt to follow the advice of "never shop while hungry"!
But I dislike malls so much, that I only get new clothes for example once it's really necessary. If it was more pleasant to shop there, I would probably buy more stuff.
I guess there are some people who fit into that environment, their tactics work well on them, and the shops/malls just ignore customers like me.
This made a big contribution because vertical short-form video feeds require extreme stimuli to get anyone’s attention - but they add nothing to the actual experience and often detract from it.
This has also led to the absolutely horrific acoustics where even in non-nightclub bars and normal restaurants, you have to yell to understand each other because the decor is made of tile, tables and chairs are at odd angles that increase distance, etc.
Everything now is subordinate to the visual environment because that’s what gets shared on Instagram.
Not saying interior design doesn’t matter, but its point should be to create a great overall experience, not to be visually stimulating at the expense of the rest.
Geometrical design (especially the ones with grids/vectors everywhere) are not minimalistic but tiring, really tiring.
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Not sentences. AI slop.