Nebula Sans
232
ES version is available. Content is displayed in original English for accuracy.
ES version is available. Content is displayed in original English for accuracy.
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Discussion (90 Comments)Read Original on HackerNews
With Nebula, no such worry. The homepage and app isn't creepily algorithmically designed to optimize my engagement with the platform, it's just a bunch of high-quality videos and channels that I can watch with no fuss. It's remarkable how nice that feels in 2026. Really highly recommended.
In the end I never got in the habit of opening Nebula to watch the content.
I pay for Premium YouTube and have noticed when there's an in video ad you can skip through to the end of the ad, YouTube have set that up.
I tend to watch 2 minute of several videos on rotation, I guess I should just put the Apple TV out of reach and I can't keep channel twitching
Don't get me wrong, Nebula is great (although yt actually has a better profit share believe it or not), but the internet needs to look in the mirror before services like it can actually compete with yt.
You can remove videos from your watch history. Or you can open the link in a private/incognito window. Google may still be able to connect it but I don't think it will impact your recommendations that way.
Maybe it will enshittify like most everything else, but it hasn't so far, and for now I'm a very happy customer.
They could have just picked any other font and used it. It's a video streaming website, how much text content is there vs video content?
Headquarter Curse: A theory suggesting that companies often experience setbacks or decline after constructing a lavish new headquarters.
I think I'm at 5 now.
Also three of those companies designed their own font too, though none of them still use it.
This doesn’t seem like an extravagant expense to me. And it sounds like it saves money on commercial font licensing.
In many cases, it's all internal and no skin off noses such as this font project. In other cases, it means the UI changes every 4 to 6 months or even worse, the software becomes so bloated with "features" it becomes unusable so a clean replacement comes on the scene then the cycle repeats.
Sometimes, I feel, it would be better for companies to clap their hands and go "We did it, we solved the problem" then just stop. Keep the infrastructure running, do bug fixes, listen to customers on new features or changes but otherwise not do product churn for the sake of justifying salaries.
To expand on my view in an abstract way, when constructing a building construction workers, architects, project managers, and the whole cadre are hired then the building is built then all those people move onto new projects. Continual development of software is like if construction never stopped so that the construction crew still had jobs. A construction site should strive to transition from architects, cranes, and concrete trucks to maintenance staff, mop buckets, and screw drivers.
[0]: https://xkcd.com/1053/
Companies are allowed to make fun things.
Feel like these things happen all the time in software as creative projects? Could be a tool for attracting design talent / interest?
shrug. It’s a nice typeface, cool project.
I agree with that one person (I can't recall when or where I read this) who said modern typography is getting so frivolous about doing personalised typographic families for startups instead of extending the existing ones to cover more languages and scripts than latin.
But as they say here, "por la plata baila el perro" (something like "a dog would dance for money")
I one subscribed to CuriosityStream and Nebula in a combo deal, but didn't end up watching it much. I find them to be overproduced edutainment that's often too plastic for my taste. A kind of Netflix but for IFL science redditor types. I rather prefer low production quality YouTube videos from oddball makers who just show something cool, explain something obscure with a simple slideshow etc.
> The OFL allows the licensed fonts to be used, studied, modified and redistributed freely as long as they are not sold by themselves. The fonts, including any derivative works, can be bundled, embedded, redistributed and/or sold with any software provided that any reserved names are not used by derivative works.
Very nice. I’ve paid for fonts for personal use in the past but I was always nervous about accidentally putting a screenshot or other incidental capture somewhere that might get distributed and violate the license.
> When Nebula found itself facing exorbitant fees to license the font it relied on for all of its branding, the company decided to find a new font that would work just as well.
EDIT: Now I realize the 30 per year is for a video service.
Previous discussion: https://news.ycombinator.com/item?id=43591225
I'm surprised there aren't really high-quality drop-ins for most of the classic "name brand" commercial fonts at this point, built solely out of the commercial motivation. "We could contract out someone to build it for less than we're paying a commercial foundry to license it for N years, and then forever every designer is using BrandCo Sans instead of Futura/Univers/etc so we get the free brand recognition".
https://fonts.google.com/specimen/Fira+Sans
Understated yet elegant, you wouldn't immediately notice it is different from your default sans-serif. But it has a soothing regularity that makes it easy to absorb in large quantities and the lowercase g is a quiet encouragement to drink your tea with your pinky raised.
What is a humanist font?
Good God I am sick to the back teeth of the neutral aesthetic. If you're going to spend all that money, can we have some _opinionated_ typefaces please? Especially against the backdrop of AI making everything look and feel exactly the same everywhere, the last thing anybody needs is another neutral, characterless, soulless typeface.
All glyphs are indistinguishable from Source Sans. The 'thin'/'light' weights are kerned further apart (and in my opinion, worse) than in Source Sans. Given these, why does this typeface deserve a new name? It is Source Sans, full stop.
At least Arial (Helvetica copy) and Segoe UI and Myriad (Frutiger copies) have a handful of distinguishing glyphs.
I have a very hot take—with typefaces, you absolutely get what you pay for. I don't like the vast majority of SIL Open Font Licence type faces, with a handful of exceptions. Most of them have glyphs that are an absolute eyesore, are weighted, sized, hinted, and kerned terribly, don't have any character whatsoever (they're all copies of copies of copies of Helvetica) and don't encode nearly enough glyphs/combining marks in Unicode.
Hint: if I can't type IAST/ISO 15919 without tofu showing up, then the font doesn't have enough Latin glyphs.
The majority of digital fonts are either not hinted at all (which makes them look like crap on low – medium resolution monitors), or appear to be hinted on and for macOS, which doesn't have sub-pixel anti-aliasing, but rather greyscale (i.e. full-pixel) AA. The result looks quite bad on Windows and Linux. It looks bad on macOS in monitors with lower pixel density, too.
I will gladly pay for a well-designed typeface (or by proxy, pay a font database subscription). The effort that designers have to put in to design something new from complete scratch is immense. Designers have to come up with unique glyphs, and then when actually setting up the curves, then have to think about how the typeface will vary along several dimensions: weight, size, display pixel density, print versus display, and so on. It's no wonder that the best fonts cost thousands.
Good fonts that have both character and are immediately legible without being unnecessarily fancy is an extremely fine line to tread and in my opinion only a handful of typefaces have managed to balance all of these through the centuries. Some of my favourites follow.
Sans-serifs include Helvetica, Frutiger, Futura, Myriad, Johnston, Optima, Transport, DIN (and its many variants; my favourite is FF DIN), Ocean Sans, and Segoe UI.
Serifs include Roman-cut (including Trajan), Garamond, Minion, a handful of Didone types, Berkeley Old Style, and Palatino.
[1] https://news.ycombinator.com/item?id=43591662
I'm holding out for a free-range, gluten-free paleo font.
The rest of us just don't want it to be distracting.
"Perfect font" can only happen when we stop developing new display technologies, and print dies out completely. If "perfect" is not subjective in the first place, it is definitely context-dependent. Fonts designed to work on budget smartphone displays don't necessarily look good on 6K desktop displays, and so on...
Styles change (like collar size, slim vs roomy), and what looks good on one torso doesn't look best on another. What fits well for one company/product/book doesn't fit well for another company/product/book.
- read? mostly coders
- sell? mostly marketing
- fraud? rn.com vs m.com mostly designers
Edit: WOW I did not know if that I write WHAT I don't like, then I will get downwoted here, like on other sites for pure hatred, ynews really goes down
- I love the use of Source Sans as the base. One of the few purely good things Adobe has done in the past decade were the Source fonts
- The use of Whitney as a target font is also interesting. I like this font a lot but a lot of nice fonts have annoying properties for web dev (looking at you Frutiger) esp around numbers. I have wasted life years fiddling with tabular number presentation.
There, is that enough red meat for you, HN? :)